Let’s face it. Half the short articles sharing “the leading tips” for you to catch better landscape images are rather generic. Sure, correcting the alignment of the horizon and photographing during the golden hour may have a positive impact on your pictures; however, will they make you a better professional photographer?
Instead of looking at those fundamentals, I want to share 7 slightly different, however equally crucial suggestions. These suggestions aren’t going to improve your photography quickly, yet they’re aimed at making you a better photographer. Make an effort to learn and try them, and I think you’ll begin seeing a distinction in the future.
Table of Contents
# 1 Excellent light is NOT restricted to the ‘Golden Hour.’
I wasn’t going to talk about the Golden Hour in this short article. However, it’s such a common suggestion that I can’t assist bringing it up. While many people (myself included some years ago) say that you need to photograph throughout dawn or sunset to get better images, I’m going to argue that this is not the case.
Yes, the light in the hours surrounding dawn and sunset is soft and colourful however that does not suggest excellent view doesn’t exist during the rest of the day; it merely depends on what you’re photographing.
This may come as a surprise; however, much of my personal favourites are images caught throughout the day (i.e. not at the golden hour). Sometimes it’s rainy weather that produces dramatic light around magnificent peaks, other times it’s an extreme midday sun that offers interesting patterns and view in the deep forest.
Instead of limiting yourself to only photographing a few hours a day, find out when the perfect light will hit the surroundings you’re preparing to picture.
# 2 The price tag of your electronic camera is unimportant
Have you ever heard somebody comment on the lines of “That’s a lovely image, you must have a fancy cam”? I make sure that sounds familiar to many. However, exists any truth in this declaration? Does a pricey camera take much better images? No …
It does not matter if your camera costs $200, $2000 or $20000. You can take wicked pictures with the most expensive electronic cameras, and you can make excellent images with a point-and-shoot.
The fundamental part is to understand how to use the camera and to understand its limitations. It’s the professional photographer behind the cam who makes the image.
# 3 Discover the guidelines to break them
If you’ve checked out any of my short articles before, you know that I do not like to speak about rules in landscape photography. I ‘d rather see them as standards that you ought to understand.
It is necessary to discover and understand standards such as the Guideline of Thirds, leading lines and other compositional guidelines, but it’s much more essential to know when to break them. The Rule of Thirds can do marvels for your compositions; however, you may rapidly limit your creativity if you fall under the trap of following the process for every single image you take.
Think about it. A few of history’s most exceptional art pieces neglect the common standards and integrate the total opposite. Be open to exploring such ideas.
# 4 You don’t need a tripod
No. I haven’t lost my mind (I understand you’re shaking your head today).
Again, I want to argue that you should not listen to the essential suggestion that informs you to use a tripod continually. I ‘d state this is entirely wrong and will do more harm than good to your photography.
It is essential to understand when you require a tripod, and when you don’t. There’s bright that in particular scenarios a tripod is necessary. Here are the circumstances where you should utilize one:
When photographing in low light situations and the shutter speed is too sluggish to get a sharp handheld image
When you’re required to increase the ISO to keep a fast shutter speed
When you’re using Neutral Density filters or wish to do Long Exposure Photography
In a lot of other circumstances, you usually don’t need a tripod. If you’re photographing throughout daytime and your shutter speed is 1/1000th of a second and the ISO is 100, using a tripod will not make a difference.
# 5 Explore with focal lengths (do not restrict yourself to one lens).
I don’t believe you ought to restrict yourself to just using one lens. When I initially began landscape photography, I just used a wide-angle lens; in truth, I didn’t own anything else for a year or 2.
Today I have got the full range from ultra-wide-angle to telezoom, and I always check out a place with numerous focal lengths. Doing this has helped me pay more attention to the information surrounding me, and it makes me try to find components that I otherwise would stroll directly by.
# 6 Persistence results in achievement.
Often I want it was so easy that I could get here a place and capture a couple of excellent images right away, but that’s seldom how it works. Fantastic images are frequently the outcome of persistence. Incredible images are the result of going back to a place over and over once again till you have got the best possible conditions.
I know this isn’t always possible when travelling but as far as it’s possible, I highly recommend going back to a location till you have captured a shot you’re genuinely pleased with.
# 7 Photo the hotspots, however, be hungry to check out.
The social network has altered landscape photography in many methods, and specific locations are more popular now than ever in the past. It’s not unlikely that you’ll be accompanied by hundreds of other photographers when photographing a few of the best views on our world.
There have been many discussions about these hotspots and how so-called “trophy hunters” are messing up the industry, but I’m not so persuaded that you should entirely stop photographing the hotspots, correctly if you have started photography.
I tend to view the hotspots as photography with training wheels; you have seen thousands of images from there before and understand precisely how to approach the place. This can be a helpful way to put yourself into the state of mind of professional photographers you admire and, if you attempt, it can help you understand why they’ve made sure choices in the field.
However, I don’t believe you should stay with the hotspots permanently. I think exploration is a big part of outdoor photography, and as soon as we lose the will to check out, creativity quickly starts fading. Use the knowledge you have picked up from photographing the hotspots and use it in the field when photographing brand-new places.